Danvers State Hospital: The Real History, and the Hill It Was Built On
The asylum on Hathorne Hill was named for the witch trial judge, stood in what was Salem Village, and is now apartments. Most of what you've read about it is wrong.
Updated August 3, 2026
Every haunted-New-England list has Danvers State Hospital on it, usually with the same three claims: that it was a house of horrors, that the lobotomy was invented there, and that you can still get inside.
Two of those are false and the third is long out of date.
The true version is stranger, and it starts with the name of the hill.
Hathorne Hill
The hospital was built on Hathorne Hill in Danvers, Massachusetts. The hill is named for the family that owned the land — including Judge John Hathorne, the Salem witch trials magistrate.
Hathorne is the one who never recanted. Other participants in 1692 later expressed regret; Samuel Sewall stood up in church and apologised. Hathorne went to his grave unrepentant, and he is buried in the Old Burying Point in Salem, where the ghost tours still stop at his stone. He is also the great-great-grandfather of Nathaniel Hawthorne, who added the "w" to the family name and spent a career writing around the inheritance — and who is buried on Author's Ridge in Concord.
And there is more. Danvers was Salem Village. The 1692 accusations did not begin in the port town now called Salem — they began in the inland farming community that separated and renamed itself Danvers in 1752.
So: an asylum, built on the hill belonging to the witch trial judge, in the village where the witch panic actually started.
Nobody had to invent that. It is simply what happened.
What the hospital was
It opened in 1878 as the Danvers Lunatic Asylum, built on the Kirkbride Plan — a nineteenth-century model that was, for its time, genuinely reformist. Kirkbride buildings were designed around the belief that light, air, views and dignified surroundings were themselves therapeutic: long staggered wings so every ward got sunlight, high ceilings, grounds, a working farm.
The Danvers building was enormous and, by the standards of what came before, humane in intent.
Then it filled up. Kirkbride hospitals were designed for a few hundred patients. Danvers, like almost every American asylum, ended up holding many times that. Overcrowding did what overcrowding does: the therapeutic model collapsed, staffing thinned, and treatment degraded toward custody. Lobotomies and shock treatment were used there in the mid-twentieth century, as they were across the system.
That is the real indictment, and it is not supernatural. A building conceived as a humane reform became a warehouse, not because its designers were monsters but because a state kept sending people and stopped paying for them.
It closed in 1992.
The lobotomy claim
This is the most-repeated "fact" about Danvers and it is not true.
The lobotomy was not invented, pioneered, or developed at Danvers State Hospital. The procedure's development belongs elsewhere entirely. Lobotomies were performed at Danvers, as at very many institutions in that period — which is damning enough — but the origin claim appears to have attached itself to the building because the building had the right atmosphere for it.
That is worth noticing as a mechanism. A place looks like the story, so the story migrates to the place.
What's there now
Most of the hospital was demolished in the 2000s and the site redeveloped as a private apartment complex. Part of the original Kirkbride facade was retained and built into the development, so the silhouette survives in fragments.
People live there now. It is not an abandoned building, it is not accessible, and it has not been an urban exploration site for many years. Turning up expecting ruins means turning up at somebody's home.
There are also patient cemeteries associated with the hospital, with numbered markers rather than names — a practice common to institutions of the era, and the part of this history that most deserves quiet.
Why it looms so large
Session 9, filmed in the empty building in 2001, is the main reason. It documented the interiors on film at the exact moment before demolition, and it fixed the building in a generation's imagination as the archetypal abandoned asylum.
That, plus the Kirkbride silhouette — which is genuinely unsettling in a way that is entirely about architecture — plus the Salem adjacency, and Danvers became shorthand for institutional horror.
The building deserved better than the shorthand. So did the people in it.
Where this connects
Danvers sits between Salem and Boston, and the witch-trial history that runs through it is the same history our Salem ghost tour comparison covers — including where the executions actually happened, which is not where most people think.
If you want the region's older, stranger material, the New England vampire panic is the other story where a community did something appalling for reasons that made sense to them at the time.